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Orchestra / Large Ensemble
Nước - current project
commissioned by the Illinois Philharmonic Orchestra as the Winner of the 2022 IPO Classical Evolve Composer Competition
symphony orchestra — 2(II=pic).2.2.3(III=cbsn) - 4.3.3.1 - timp.perc(3) - strings
Tiếng - current project
commissioned by the Louisville Orchestra as part of the 2024/25 Creators Corps
symphony orchestra — 3.3.3.3 - 4.3.3.1 - timp.perc(3) - pno - harp - strings
no last days, only more tomorrows (2024) - c. 10 minutes
commissioned by the Illinois Philharmonic Orchestra as the Winner of the 2022 IPO Classical Evolve Composer Competition
two oboes, two horns, and string orchestra
Then, as if breathing, the sea swelled beneath us. (2023) - c. 12 minutes
commissioned by the Illinois Philharmonic Orchestra as the Winner of the 2022 IPO Classical Evolve Composer Competition
string orchestra — 6.5.4.3.1 minimum
Beauty despite daylight (2022) - c. 9 minutes
written for the Illinois Philharmonic Orchestra as part of its 2022 Classical Evolve Composer Competition
chamber orchestra — 1.1.1.1 - 1.1.1.0 - timp.perc(2) - harp - strings (4.3.3.2.1 minimum)
I Ask My Mother to Sing (2022) - c. 8 minutes
commissioned by Alarm Will Sound and the 2022 Mizzou International Composers Festival
sinfonietta — 1.1.2(II=bcl).1 - 1.1.1.0 - perc(2) - pno - strings (1.1.1.1.1 only)
Gia Đình
(2021, rev. 2022) - c. 13 minutes
written for the St. Louis Symphony Orchestra
full orchestra — 2(II=pic).2(II=ca).2(II=bcl).2(II=cbsn) - 4.2.3.1 - timp.perc(3) - pno(cel) - harp - strings
Chamber (2-9 players)
This Room and Everything in It (2023) - c. 7-8 minutes
commissioned by Musiqa for its 2022 Emerging Composer Commission
clarinet/bass clarinet, violin, cello, and piano
Fissured Edifices, Fractured Artifices (2023) - c. 7-8 minutes
commissioned by Copland House for its 2023 CULTIVATE emerging composers’ institute
clarinet, violin, cello, and piano
These few specks of time (2022–23) - c. 20 minutes
commissioned by the Akropolis Reed Quintet
reed quintet (oboe, clarinet, alto sax, bassoon, and bass clarinet)
Cloud Walker (2022) - c. 6 minutes 30 seconds
commissioned by the Nefelibata New Music Collective
chromatic harmonica, percussion, and piano
Travel Hazards (2022) - c. 8 minutes
commissioned by the Akropolis Chamber Music Institute
flute, oboe, clarinet, alto saxophone, bassoon, and percussion
Frequent Wind (2021) - c. 6-8 minutes
commissioned by the Tacet(i) Ensemble and the 2021 International Composition Institute of Thailand
flute/bass flute, bass clarinet, baritone saxophone, and amplified cylinder music box
Yellow Peril (2021) - c. 5 minutes
written for Fear No Music and the 2021 Oregon Bach Festival Composers Symposium
flute, bass clarinet, piano, and string quartet
Black Petal (2021) - c. 10 minutes
written for the [Switch~ Ensemble]
flute/bass flute, alto saxophone/baritone saxophone, percussion, violin, and cello
Glass Shards (2020) - c. 9 minutes
commissioned by the deaf rabbit duo
violin and harp
In Contrary Winds (2019) - c. 4 minutes
commissioned by the Akropolis Reed Quintet for the Mostly Modern Festival
reed quintet (oboe, clarinet, alto saxophone, bassoon, and bass clarinet)
Solo
(miss)remember (2022) - c. 8 minutes 30 seconds
commissioned by Leo Schlaifer
tenor saxophone and video
Ngũ Hành
(2021)
commissioned by Payton MacDonald
prepared marimba with bamboo
Aubade with Ashen Clouds, Scarlet Sky (2020) - c. 9 minutes
commissioned by the Sheldon Concert Hall
bass clarinet
wisteria waves (2020) - c. 7 minutes
written for Rachel Aragaki
horn
Vocal
The History of Anonymity (2023) - c. 17 minutes
commissioned by New Music on the Bayou
song cycle for mezzo-soprano with flute, clarinet/bass clarinet, violin, and cello
Educational
Vernal Moonbeams (2019, arr. 2023) - c. 5 minutes 30 seconds
commissioned by Will Hederer
string orchestra (chamber version for 9 strings available)
Asphalt (2019) - c. 3 minutes
commissioned by Will Hederer
middle school string orchestra