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Orchestra / Large Ensemble
new work (in progress)
commissioned by the American Composers Orchestra with support from Elizabeth and Justus Schlichting
concerto for VIetnamese traditional instruments with orchestra — 2.2.2.2 - 2.2.2.1 - timp.perc(2) - hp - pno - str
Prelude to Stars in Their Massive Dying (2025) - 5 minutes
commissioned by the Oregon Bach Festival as part of their New Transcriptions Project
chamber orchestra — 0.0.0.2 - 4.2.0.0 - timp - hp - str(1.0.6.6.2)
re: cleaving (2025) - 5 minutes
commissioned by the Louisville Orchestra as part of the 2024/25 Creators Corps
orchestra — pic.1.2.1.bcl.2 - 4.2.3.1 - timp.perc(3) - hp - str
Nước (2025) - 10 minutes
commissioned by the Illinois Philharmonic Orchestra as the Winner of the 2022 IPO Classical Evolve Composer Competition
orchestra — 2(II=pic).2.2.2.cbsn - 4.3.3.1 - timp.perc(3) - str
Tiếng (2025) - 27 minutes
commissioned by the Louisville Orchestra as part of the 2024/25 Creators Corps
orchestra with still images — 3(II+III=pic).3(III=ca).3(III=bcl).3(III=cbsn) - 4.3.3.1 - timp.perc(3) - pno(toy pno) - hp - str
A Different Pond (2024) - 11 minutes
commissioned by the Louisville Orchestra as part of the 2024/25 Creators Corps
narrator and orchestra — 3(II=afl.III=pic).3(III=ca).3(II=ebcl.III=bcl).2.cbsn - 4.3.3.1 - timp.perc(3) - pno(cel) - hp - nar - str
no last days, only more tomorrows (2024) - 10 minutes
commissioned by the Illinois Philharmonic Orchestra as the Winner of the 2022 IPO Classical Evolve Composer Competition
chamber orchestra — 0.2.0.0 - 2.0.0.0 - str
Then, as if breathing, the sea swelled beneath us. (2023) - 12 minutes
commissioned by the Illinois Philharmonic Orchestra as the Winner of the 2022 IPO Classical Evolve Composer Competition
string orchestra — 6.5.4.3.1 minimum
Beauty despite daylight (2022) - 9 minutes
written for the Illinois Philharmonic Orchestra as part of its 2022 Classical Evolve Composer Competition
chamber orchestra — 1.1.1.1 - 1.1.1.0 - timp.perc(2) - hp - str (4.3.3.2.1 minimum)
I Ask My Mother to Sing (2022) - 8 minutes
commissioned by Alarm Will Sound and the 2022 Mizzou International Composers Festival
sinfonietta — 1.1.2(II=bcl).1 - 1.1.1.0 - perc(2) - pno - str (1.1.1.1.1 only)
Gia Đình
(2021, rev. 2022) - 13 minutes
commissioned by the St. Louis Symphony Orchestra
orchestra — 2(II=pic).2(II=ca).2(II=bcl).2(II=cbsn) - 4.2.3.1 - timp.perc(3) - pno(cel) - hp - str
Chamber (2-9 players)
new work (in progress)
written for Trio Sheliak
piano trio (violin, cello, piano)
the things we carry (2024) - 10 minutes
written for the Gabriela Lena Frank Creative Academy of Music
violin and harp
all in the tone; all in the form (2024) - 16 minutes
commissioned by Amici per la Musica as the Winner of the 2023 Luigi Nono International Composition Prize
piano trio (violin, cello, piano)
These few specks of time (2024) - 20 minutes
commissioned by the Akropolis Reed Quintet
reed quintet (oboe, clarinet, alto sax, bassoon, and bass clarinet)
This Room and Everything in It (2023) - 8 minutes
commissioned by Musiqa for its 2022 Emerging Composer Commission
clarinet/bass clarinet, violin, cello, and piano
Fissured Edifices, Fractured Artifices (2023) - 8 minutes
commissioned by Copland House for its 2023 CULTIVATE emerging composers’ institute
clarinet, violin, cello, and piano
Cloud Walker (2022) - 6 minutes 30 seconds
commissioned by the Nefelibata New Music Collective
chromatic harmonica, percussion, and piano
Travel Hazards (2022) - 8 minutes
commissioned by the Akropolis Chamber Music Institute
flute, oboe, clarinet, alto saxophone, bassoon, and percussion
Frequent Wind (2021) - 6-8 minutes
commissioned by the Tacet(i) Ensemble and the 2021 International Composition Institute of Thailand
flute/bass flute, bass clarinet, baritone saxophone, and amplified cylinder music box
Yellow Peril (2021) - 5 minutes
written for Fear No Music and the 2021 Oregon Bach Festival Composers Symposium
flute, bass clarinet, piano, and string quartet
Black Petal (2021) - 10 minutes
written for the [Switch~ Ensemble]
flute/bass flute, alto saxophone/baritone saxophone, percussion, violin, and cello
Glass Shards (2020) - 9 minutes
commissioned by the deaf rabbit duo
violin and harp
In Contrary Winds (2019) - 4 minutes
commissioned by the Akropolis Reed Quintet for the Mostly Modern Festival
reed quintet (oboe, clarinet, alto saxophone, bassoon, and bass clarinet)
Solo
new work (in progress) - 3 minutes
cello
shadow:discrepancy:resonance (2024) - 6 minutes
written for Li-Chin Li
sheng
(miss)remember (2022) - 8 minutes 30 seconds
commissioned by Leo Schlaifer
tenor saxophone and video
Ngũ Hành
(2021)
commissioned by Payton MacDonald
prepared marimba with bamboo
Aubade with Ashen Clouds, Scarlet Sky (2020) - 9 minutes
commissioned by the Sheldon Concert Hall
bass clarinet
wisteria waves (2020) - 7 minutes
written for Rachel Aragaki
horn
Vocal
The History of Anonymity (2023) - 17 minutes
commissioned by New Music on the Bayou
song cycle for mezzo-soprano with flute, clarinet/bass clarinet, violin, and cello
Educational
Vernal Moonbeams (2019, arr. 2023) - 5 minutes 30 seconds
commissioned by Will Hederer
string orchestra (chamber version for 9 strings available)
Asphalt (2019) - 3 minutes
commissioned by Will Hederer
middle school string orchestra